Lukas Winkler – Graphic Design

DOPPELDENK — Unter den Pilzen — Poster, flyer and social media ad for group exhibition at Galerie Ghosh in Leipzig.

PAPERWORKS — Das Ende der Unschuld — Poster, flyer and social media ad for group exhibition at Galerie Ghosh in Leipzig.

Arno Rink: Ich bin kein moderner Künstler. Tagebücher, Skizzenbücher, Notizen, Briefe. 1960–2017.

Landesverband Bildende Kunst Sachsen e.V. — Lebensrealitäten — Jahresmagazin 2024, Nr. 12 — with artworks by Susan Donath.

Landesverband Bildende Kunst Sachsen e.V. — Ressourcen, Transformation, Grenzen — Nachhaltig gestalten — Jahresmagazin 2023, Nr. 11 — with artworks by Frenzy Höhne.

Printed and web material for Johannes Rochhausen’s exhibition “zest” at Galerie Leuenroth, Frankfurt/Main.

The book “Verschattung” ( Shadow ) is an autofictional story of a patient navigating through the year of 2020. In 42 chapters he tells about his journey of diagnosis and treatment, recovery and a change of perspective asking: What is it that we call life? The accompanying images either step into foreign contexts or show moments of a strangely new presence. The personal meets the technical meets the imaginary. And on top of that there is a pandemic going on. The book is my diploma work at HGB Leipzig.

Cover design and typesetting for a collection of texts titled “Als wir in die Sonne fielen” (“When we fell into the sun”) by my good friend Andrea Meng.

Contribution for issue # 05 of Syrinx Magazine. For every postcard there is a writers’ text for which an illustrator finds a visual interpretation. In this case the text was written by Markus Grundtner and it’s called “Definiere Arbeitsleben” (“Define Working Life”): a short story about a clerk looking for the perfect office seat.

Poster for an exhibition by Klasse für Typografie at MZIN, Leipzig.

Catalogue for Berlin-based painter Moritz Neuhoff, published on the occasion of his solo show at Museum gegenstandsfreier Kunst Otterndorf in 2019.

Can books have business cards? For Rundgang 2017 and It’s a Book fair at HGB Leipzig Tabea Nixdorff and I flipped through Institut für Buchkunst’s backlist and designed 30 cards for 30 books. The line “All Good People Read Good Books” taken from a song by Tanita Tikaram became the headline for every single card. The typographic style refers the original book cover.